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Thursday, April 8, 2010

Amazon Blogs: Armchair Commentary Daily Digest

Check out these Updates from Armchair Commentary for April 7, 2010.

April 7, 2010
The International Cinephile Society released a list of the Top 100 Films of the 1990s, and their picks may surprise you.

Their intro goes as follows: "ICS has spent the past few months painting a many-colored mural of what we consider the filmic masterworks of the 1990s. Not only that, we’ve created a write-up for each film on the list, highlighting our own distinct view of these icons and oddities from a decade famed for both. Overall, 28 ICS members from 10 different countries contributed their work and their expertise. Some went in for scholarly analysis, others penned pithy short reviews, while a few came up with surprising personal takes on 'what this movie means to me.' Expressed in varying shades of depth, passion, intellect, impressionism and playfulness, here are our choices and our rationale.

Who are the International Cinephile Society? An online group made up of 60 accredited journalists, film scholars, historians and other industry professionals who cover film festivals and events on five continents, according to their web site.

Missing? Many are sure to cry foul that Saving Private Ryan and Titanic aren't on the list (the latter, while slammed often nowadays, would surely have made a top 100 list, no?) but that's why these lists are fun. You can see the top 100 below, or read through the countdown to see their rationale.

01. The Thin Red Line (Malick, 1998)
02. Short Cuts (Altman, 1993)
03. Trois couleurs: Rouge (Kieslowski, 1994)
04. Breaking the Waves (von Trier, 1996)
05. The Age of Innocence (Scorsese, 1993)
06. My Own Private Idaho (Van Sant, 1991)
07. Eyes Wide Shut (Kubrick, 1999)
08. Trois couleurs: Bleu (Kieslowski, 1993)
09. The Ice Storm (Lee, 1997)
10. Goodfellas (Scorsese, 1990)
11. Being John Malkovich (Jonze, 1999)
12. LA Confidential (Hanson, 1997)
13. Sense and Sensibility (Lee, 1995)
14. The Double Life of Véronique (Kieslowski, 1991)
15. Safe (Haynes, 1995)
16. All About My Mother (Almodóvar, 1999)
17. Unforgiven (Eastwood, 1992)
18. The Remains of the Day (Ivory, 1993)
19. Pulp Fiction (Tarantino, 1994)
20. The English Patient (Minghella, 1996)
21. Chungking Express (Wong, 1994)
22. Close-Up (Kiarostami, 1990)
23. The Grifters (Frears, 1990)
24. Barton Fink (Coen & Coen, 1991)
25. The Piano (Campion, 1993)
26. Secrets & Lies (Leigh, 1996)
27. A Taste of Cherry (Kiarostami, 1997)
28. Ed Wood (Burton, 1994)
29. Lost Highway (Lynch, 1997)
30. Happy Together (Wong, 1997)
31. Mother and Son (Sokurov, 1997)
32. Magnolia (Anderson, 1999)
33. Howards End (Ivory, 1992)
34. Les amants du Pont-Neuf (Carax, 1991)
35. The Long Day Closes (Davies, 1992)
36. The Silence of the Lambs (Demme, 1991)
37. Naked Lunch (Cronenberg, 1991)
38. Heavenly Creatures (Jackson, 1994)
39. Lone Star (Sayles, 1996)
40. Raise the Red Lantern (Zhang, 1991)
41. Edward Scissorhands (Burton, 1990)
42. Naked (Leigh, 1993)
43. Fargo (Coen & Coen, 1996)
44. Schindler’s List (Spielberg, 1993)
45. Husbands and Wives (Allen, 1992)
46. Beauty and the Beast (Trousdale & Wise, 1991)
47. The Truman Show (Weir, 1998)
48. La belle noiseuse (Rivette, 1991)
49. Miller’s Crossing (Coen & Coen, 1990)
50. Sátántangó (Tarr, 1994)
51. Jackie Brown (Tarantino, 1997)
52. Rushmore (Anderson, 1998)
53. Rosetta (Dardenne & Dardenne, 1999)
54. Dead Man (Jarmusch, 1995)
55. Groundhog Day (Ramis, 1993)
56. Underground (Kusturica, 1995)
57. Flowers of Shanghai (Hou, 1998)
58. The Wind Will Carry Us (Kiarostami, 1999)
59. Starship Troopers (Verhoeven, 1997)
60. Thelma & Louise (Scott, 1991)
61. Wild at Heart (Lynch, 1990)
62. Days of Being Wild (Wong, 1990)
63. The Player (Altman, 1992)
64. La cérémonie (Chabrol, 1995)
65. Beau travail (Denis, 1999)
66. The Talented Mr. Ripley (Minghella, 1999)
67. Fallen Angels (Wong, 1995)
68. The Big Lebowski (Coen & Coen, 1998)
69. Titus (Taymor, 1999)
70. Vanya on 42nd Street (Malle, 1994)
71. Crash (Cronenberg, 1996)
72. Ulysses’ Gaze (Angelopoulos, 1995)
73. Van Gogh (Pialat, 1991)
74. Babe (Noonan, 1995)
75. Before Sunrise (Linklater, 1995)
76. A Brighter Summer Day (Yang, 1991)
77. Boogie Nights (Anderson, 1997)
78. American Beauty (Mendes, 1999)
79. Dead Man Walking (Robbins, 1995)
80. Kundun (Scorsese, 1997)
81. Porco Rosso (Miyazaki, 1992)
82. Smoking/No Smoking (Resnais, 1993)
83. The Crying Game (Jordan, 1992)
84. Gattaca (Niccol, 1997)
85. The Nightmare Before Christmas (Selick, 1993)
86. Trainspotting (Boyle, 1996)
87. Trois couleurs: Blanc (Kieslowski, 1994)
88. Bullets Over Broadway (Allen, 1994)
89. Everyone Says I Love You (Allen, 1996)
90. Eve’s Bayou (Lemmons, 1997)
91. Goodbye South, Goodbye (Hou, 1996)
92. Se7en (Fincher, 1995)
93. Carlito’s Way (De Palma, 1993)
94. Romy and Michele’s High School Reunion (Mirkin, 1997)
95. Un coeur en hiver (Sautet, 1992)
96. The Straight Story (Lynch, 1999)
97. Dong (Tsai, 1998)
98. JFK (Stone, 1991)
99. A Summer’s Tale (Rohmer, 1996)
100. Edward II (Jarman, 1991)

Do you agree? My biggest beefs are the inclusion of Starship Troopers, Romy and Michele's High School Reunion (which had flashes of brilliance but didn't live up to its comic potential); and Everyone Says I Love You, which I thought was horrible. I might be one of the few who enjoyed Trois Couleurs: Bleu (#8) more than Trois Couleurs: Rouge (#3), but was glad to see the underrated Blanc (#87) also made the list. I think it's daring they put Scorsese's Age of Innocence higher than Goodfellas, which is probably unpopular but not really wrong either. I'm also happy with the rankings of Remains of the Day over Howards End; like Sense & Sensibility and The Truman Show where they are; but think Babe could have been higher. --Ellen

P.S.: After actually thinking about films from the '90s I would have added Toy Story/Toy Story 2, The Fugitive, and Out of Sight.That's just off the top of my head though.


 

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